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Jodie Whittaker on Playing the First Female Doctor Who. Following the announcement that Jodie Whittaker is to play the next Doctor in Doctor Who, the actress has opened up about how it feels to take on such an iconic role. After many months of speculation – including whether the BBC would ever actually cast a woman in the role – the successor to Peter Capaldi’s Doctor was announced after the Men’s Wimbledon Final on BBC 1, followed swiftly by simultaneous announcements across all of the BBC’s social media platforms. Whittaker is best known for her performances in the movie Attack the Block, and the TV shows Cranford, and Broadchurch, where she starred as grieving parent, Beth Latimer, alongside former Doctor, David Tennant. She worked on Broadchurch under the leadership of Chris Chibnall, who now takes over from Steven Moffat as Doctor Who showrunner.
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Chibnall revealed that Latimer had always been his first choice for the thirteenth Doctor, and the announcement has certainly been met with a largely positive response on social media so far. For Whittaker, though she admits the idea of taking on such an iconic role is ‘a bit nerve- wracking,’ she also recognizes that the role offers incredible potential: “To be asked to play the ultimate character, to get to play pretend in the truest form: this is why I wanted to be an actor in the first place. To be able to play someone who is literally reinvented on screen, with all the freedoms that brings: what an unbelievable opportunity. And added to that, to be the first woman in that role.“It feels completely overwhelming, as a feminist, as a woman, as an actor, as a human, as someone who wants to continually push themselves and challenge themselves, and not be boxed in by what you’re told you can and can’t be. It feels incredible.”As with most castings that have to remain so secretive, Whittaker wasn’t allowed to tell a soul other than her husband – something she now says will come back to bite her as she’s had to tell many lies. She adds that she needed no persuading from Chibnall, who asked her to audition, adding that the competition was tough: “There was no persuasion needed. If you need to be persuaded to do this part, you’re not right for this part, and the part isn’t right for you.
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I also think, for anyone taking this on, you have to want to fight for it, which I certainly had to do. I know there will have been some phenomenal actors who threw their hats in the ring.”While it’s undeniably exciting for any regeneration on Doctor Who, this one is going to be particularly special, because the casting of a female offers so much potential for change on the show. For some, a female in the role will be a hard pill to swallow, but Whittaker embraces the change, just like a lot of fans will do, and she has a message for all those doubting whether a woman can be the Doctor: “I want to tell the fans not to be scared by my gender. Because this is a really exciting time, and Doctor Who represents everything that’s exciting about change. The fans have lived through so many changes, and this is only a new, different one, not a fearful one.”That, perhaps, is the single, most important aspect of Whittaker’s casting. Following on from Pearl Mackie as Bill Potts, who became the first openly LGBT companion, young girls across the globe are finally seeing females strongly represented on a prime- time family show.
They are growing up to learn that women can be every bit as open, honest, strong and powerful as any man, and that is a great message for Doctor Who to give to its fans. Doctor Whowill return at Christmas 2.
The Kid (1. 92. 1 film) - Wikipedia. The Kid is a 1. 92. American silentcomedy- drama film written by, produced by, directed by, and starring Charlie Chaplin, and features Jackie Coogan[4] as his adopted son and sidekick. This was Chaplin's first full- length film as a director (he had been a co- star in 1. Tillie's Punctured Romance).
It was a huge success, and was the second- highest- grossing film in 1. The Four Horsemen of the Apocalypse. In 2. 01. 1, The Kid was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant." Innovative in its combination of comedic and dramatic elements,[5]The Kid is widely considered one of the greatest films of the silent era.[6]An unknown woman (Edna Purviance) leaves a charity hospital carrying her newborn son. An artist (Carl Miller), the apparent father, is shown with the woman's photograph. When it falls into the fireplace, he first picks it up, then throws it back in to burn up. The woman decides to abandon her child in the back seat of an expensive automobile with a handwritten note imploring the finder to care for and love the baby.
However, the car is stolen. When the two thieves discover the child, they leave him on the street.
The Tramp (Charlie Chaplin) finds the baby. Unwilling at first to take on the responsibility, he eventually softens and names the boy John. Elsewhere, the woman has an apparent change of heart and returns for the baby, but is heartbroken and faints upon learning of the baby having been taken away. Five years pass, and the child (Jackie Coogan) becomes the Tramp's partner in minor crime, throwing stones to break windows that the Tramp, working as a glazier, can then repair.
Meanwhile, the woman becomes a wealthy star. She does charity work among the poor to fill the void of her missing child. By chance, the mother and child cross paths, but do not recognize each other. When the boy becomes sick, a doctor comes to see him. He discovers that the Tramp is not the boy's father. The Tramp shows him the note left by the mother, but the doctor merely takes it and notifies the authorities.
Two men come to take the boy to an orphanage, but after a fight and a chase, the Tramp regains the boy. When the woman comes back to see how the boy is doing, the doctor tells her what has happened, then shows her the note, which she recognizes. Now fugitives, the Tramp and the boy spend the night in a flophouse, but the manager (Bergman), having read of the $1.
When the Tramp wakes up, he searches frantically for the missing boy, then returns to doze beside the now- locked doorway to their humble home. In his sleep, he enters "Dreamland," with angels in residence and devilish interlopers. He is awakened by a policeman, who places the Tramp in a car and rides with him to a house. When the door opens, the woman and John emerge, reuniting the elated adoptive father and son. The policeman, who is happy for the family, shakes the Tramp's hand and leaves, before the woman welcomes the Tramp into her home.
Uncredited. Production[edit]. Chaplin, at left, wrote, produced, directed, edited, and starred in the film, and later went on to compose the music score as well. The Kid is notable for combining comedy and drama. As the opening title says: "A picture with a smile- and perhaps, a tear." The most famous and enduring sequence in the film is the Tramp's desperate rooftop pursuit of the agents from the orphanage who had taken the child, and their emotional reunion. The film made Coogan, then a vaudeville performer, into the first major child star of the movies.
Many of the Chaplin biographers have attributed the relationship portrayed in the film to have resulted from the death of Chaplin's firstborn infant son just ten days before the production began.[7] The portrayal of poverty and the cruelty of welfare workers are also directly reminiscent of Chaplin's own childhood in London. Several of the street scenes were filmed on Los Angeles's famed Olvera Street, almost 1. Mexican- themed tourist attraction.
The Kid" being taken away by agents from the orphanage. After production was completed in 1. Chaplin's first wife Mildred Harris, who sought to attach Chaplin's assets. Chaplin and his associates smuggled the raw negative to Salt Lake City (reportedly packed in coffee cans) and edited the film in a room at the Hotel Utah.[8] Before releasing the film Chaplin negotiated for and received an enhanced financial deal for the film with his distributor, First National Corporation, based on the success of the final film. Lita Grey, who portrays an angel in the film, was Chaplin's second wife from 1. In 1. 97. 1, Chaplin edited and reissued the film and he composed a new musical score.
Chaplin and co- star Coogan met for the last time in 1. Chaplin's brief return to America for an Honorary Academy Award. Reception[edit]The Kid was acclaimed by film critics upon its release.[9]Chaplin biographer Jeffrey Vance writes, of the legacy of Chaplin's The Kid: "The Kid remains an important contribution to the art of film, not only because of Chaplin’s innovative use of dramatic sequences within a feature- length comedy, but also because of the revelations The Kid provides about its creator. Undoubtedly, when Chaplin penned the preface to The Kid, “A picture with a smile- -and perhaps, a tear,” he had his own artistic credo—and life—in mind."[1. Mary Pickford said of the film, "The Kid is one of the finest examples of the screen language, depending upon its actions rather than upon subtitles".[1. In December 2. 01.
The Kid was chosen to be preserved in the Library of Congress' National Film Registry.[1. The Registry said that the film is "an artful melding of touching drama, social commentary and inventive comedy" and praised Chaplin's ability to "sustain his artistry beyond the length of his usual short subjects and could deftly elicit a variety of emotions from his audiences by skillfully blending slapstick and pathos."[1. As of March 2. 01. The Kid has earned a rare 1. Rotten Tomatoes[1. Internet Movie Database, placing it at number 9.
Top 2. 50 Titles.[1. Film. Nation Entertainment is currently remaking The Kid as a sci- fi animated movie. The untitled film will be directed by Christian Volckman and Rupert Wyatt and is said to be "inspired by the characters and themes in 'The Kid.'"[1.
See also[edit]References[edit]^"THE KID (U) (CUT)". British Board of Film Classification. January 5, 1. 92. Watch The Deal Online Idigitaltimes. Retrieved December 2.
THE KID (U)". British Board of Film Classification. October 1. 5, 1. 95. Retrieved December 2. Box office at IMDB accessed January 2. Today in Media History: Thumbs Up?
In 1. 92. 1 newspapers reviewed Charlie Chaplin’s movie, ‘The Kid’". Poynter. Retrieved March 1. Chaplin, pp. 2. 33–2. Greatest Films by Decade - AMC Filmsite Retrieved 8 February 2. Kamin, Dan (2. 00. The Comedy of Charlie Chaplin: Artistry in Motion. Scarecrow Press. p. 9.
ISBN 9. 78. 08. 10. Charlie Chaplin Can't Dodge Newspaper Men". Deseret News. 9 August 1. Retrieved 2. 01. 4- 0. Passafiume, Andrea.
The Kid (1. 92. 1)". Watch All That Jazz Online Mic. Turner Classic Movies, Inc. Retrieved January 1. Vance, Jeffrey (2. Chaplin: Genius of the Cinema. Hachi: A Dog`S Tale Full Movie Part 1 on this page. New York: Harry N. Abrams, pg. 1. 17.
ISBN 0- 8. 10. 9- 4. Howe, Herbert (January 1. Mary Pickford's Favorite Stars and Films".
Photoplay. New York: Photoplay Publishing Company. Retrieved September 4, 2.
National Film Registry More Than a Box of Chocolates" (Press release). Library of Congress. December 2. 01. 1.